Filtering by: Screening
Films from the Abortion Clinic Film Collective
Apr
20
7:30 PM19:30

Films from the Abortion Clinic Film Collective

In the Abortion Clinic Film Collective series, we hear from medical directors and staff, mothers and daughters, criminal defense attorneys and advocates, about how their personal and professional lives have been affected post-Dobbs. Each portal provides a window into the broad and life-threatening ramifications of that Supreme Court decision and its devastating legacy for the health and well-being of our country.

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In the Waves: Films for Our Grief
Feb
17
7:00 PM19:00

In the Waves: Films for Our Grief

Filmmaking, like all art forms, has the ability to act as a powerful form of catharsis. This program includes a selection of six films relating to grief in various forms, made by experimental filmmakers from the French artist-run film labs L’Etna, L’Abominable, MTK, and Labo K. Visiting programmer Malo Sutra Fish will be in attendance for a post-screening Q&A.

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 Films from l'Etna, atelier for experimental cinema
Nov
1
7:30 PM19:30

Films from l'Etna, atelier for experimental cinema

AgX is pleased to present a program of films from the Paris-based experimental cinema workshop,  l'Etna. Founded in 1997 with the expressed goals of keeping filmmaking accessible and sustainable for its local artists, l’Etna provides a space for creation, workshops and exchange around experimental cinema through regular screenings and discussions. This program features eight works spanning most of the organization's more than quarter century of existence, and is presented by current l'Etna member, Malo Sutra Fish, who will be on hand for a post-screening Q&A.

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Notes after Long Silence: On Austrian and American Structural Film
May
4
8:00 PM20:00

Notes after Long Silence: On Austrian and American Structural Film

Presented by RPM Festival in Boston and curated by AgX members Nicole Prutsch, Mike Piso, and Wenhua Shi, this program traces the historical conversation of Austrian and American experimental film to the present day and explores the aesthetic and cultural limits pushed by filmmakers from both countries.

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Some Problems of Domestication: Short Films by Alison Folland
Mar
19
2:00 PM14:00

Some Problems of Domestication: Short Films by Alison Folland

RPM and Brattle Theater present program of short experimental films by Boston-based filmmaker (and Agx member) Alison Folland. Program will be followed by a discussion with the filmmaker and her friend and mentor, filmmaker Jennifer Montgomery. The screening will take place on Sunday March 19th at 2 PM at the Brattle Theater in Cambridge, MA. 

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RPM Fest presents "Attention Wonders: Robert Todd" hosted by The Brattle Theatre
Dec
11
2:00 PM14:00

RPM Fest presents "Attention Wonders: Robert Todd" hosted by The Brattle Theatre

Robert Todd (1963-2018) was a profoundly creative and compassionate person who expressed raw emotion through the medium of film. His cinema had a profound influence on the international experimental film community, embracing the deep complexity of the natural world and reflecting his internal self, sometimes through multiple mirrors. “Attention Wonders” will include 5 short films by Robert Todd and will be hosted by the Brattle Theater in Cambridge.

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The Short Films of Rajee Samarasinghe
Aug
18
7:00 PM19:00

The Short Films of Rajee Samarasinghe

AgX welcomes Los Angeles based, Sri Lankan artist and filmmaker, Rajee Samarasinghe for an evening of internationally acclaimed, formally adventurous short films, made digitally and on film, that explore the terrain of memory, migration, and impermanence.

Rajee Samarasinghe was born and raised amidst the decades-long civil war in Sri Lanka. He later left for the United States where he is now based. He received his BFA from the University of California San Diego and his MFA from the California Institute of the Arts. Much of his work examines sociopolitical conditions in Sri Lanka through the scope of deconstructing ethnographic practices and the colonial gaze in contemporary media. His practice was born out of a desire to understand the circumstances around his childhood. www.rajeesamarasinghe.com

Rajee Samarasinghe in attendance

Doors open at 7PM - Show at 7:30PM

Masks / facial coverings are required

Seating is limited, first-come first-served. Donations are encouraged at the door or at www.agxfilm.org.

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 Echo Park Film Center: The Sound We See
Aug
11
7:00 PM19:00

Echo Park Film Center: The Sound We See

RESCHEDULED - NEW DATE

Virtual Q&A with Paolo Davanzo and Lisa Marr after the screening

Paolo Davanzo and Lisa Marr of Echo Park Film Center (Los Angeles) will be sharing selected films from EPFC Members Karissa Hahn and Andrew Kim and the film center’s recurring, international city symphony project: THE SOUND WE SEE. Each film in THE SOUND WE SEE project is a 24 minute city symphony made by participants in EPFC workshops that have taken place in cities around the world.

PROGRAM:

Open Window by Karissa Hahn - 2016 - 2 minutes

The Sound We See: The COVID Chronicles - 2020 - 29 minutes

Society of Motion by Andrew Kim - 2015 - 3 minutes

The Sound We See: A Bukhara City Symphony - 2021 - 26 Minutes

DETAILS:

Doors open at 7PM - Show at 7:30PM

Donations are encouraged at the door or at www.agxfilm.org

Masks / facial coverings are required

Seating is limited, first-come first-served.

THE SOUND WE SEE

Initially developed as part of Echo Park Film Center’s free youth filmmaking program in Los Angeles, The Sound We See uses analog filmmaking techniques and the “City Symphony” genre practiced in the 1920s by Walter Ruttmann and Dziga Vertov as starting points to explore communal creative process and contemporary environments.

Discovering and redefining techniques of past avant-garde urban documentarians, 37 teens with little or no prior filmmaking experience worked with 16mm cameras and black and white stock to create a stunning 24-hour cinematic journey with each hour of the day represented as one minute on film. The Sound We See: A Los Angeles City Symphony premiered with a bespoke live score performed by a talented ensemble of local musicians.

The project sparked a global “Slow Film” movement with youth and multi-generational communities in Vietnam, India, Canada, Europe, Mexico and Japan creating their own 16mm and Super 8 City Symphonies, not only shooting but processing (using both traditional and eco-friendly chemistry) and editing the film by hand, and presenting public exhibitions of the finished work in non-traditional venues. Each community pushes the process to new directions and discoveries; The Sound We See is an ongoing cinematic conversation on the relevance of handmade film in the 21st century.

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YOUR EYES ARE SPECTRAL MACHINES: A Live Projection Performance by Luis Macías
Apr
2
8:00 PM20:00

YOUR EYES ARE SPECTRAL MACHINES: A Live Projection Performance by Luis Macías

Image Courtesy of Luis Macías

Door opens at 7:30. Masks / facial coverings are required.

Seating is limited, first-come first-served. Donations are encouraged at the door or at www.agxfilm.org.

AgX welcomes Spanish artist, filmmaker and image-moving composer Luis Macías for an evening of film and expanded cinema performance, as part of his U.S. tour.

Your eyes are spectral machines is a selection of films in which Luis Macías investigates the concept of what he calls spectral cinema.

Exploring each of the different components of the film spectrum: the process and structure as a challenge, the photochemical transformation in the laboratory of created and/or appropriate images, editing/manipulation and re-photography through the optical/contact printer, and the projection as an event ... These are parts of a filmic forms organized in closed structures allowing intermediate spaces that force/activate improvisation.

The properties of the image and its forms and the modification/alteration of the mechanical structure of the projector are combined in new proposals for the exercise of a human eye that explores the images of nature and/or how it is revealed to us.

Luis Macías is co-founder and active member of CRATER-Lab in Barcelona, an independent artist-run-film Lab for analog cinema.

This event is made possible by the Institut Ramon Llull for Catalan Language and Culture

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Hypnotic Suggestions: Recent Works by the AgX Film Collective
Aug
14
8:00 PM20:00

Hypnotic Suggestions: Recent Works by the AgX Film Collective

After nearly a year and a half of relative quiet, the AgX Film Collective reemerges with an outdoor program of film and live sound, co-presented by our friends at Non-Event. Bringing together single and double 16mm projections, single-channel video and live sound, this program showcases a range of formal approaches and interests pursued by our members over the last several years.

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Feb
6
8:00 PM20:00

Tara Nelson screening

Still from Flying Fish (2012).jpg.png

Tara Merenda Nelson is an artist, programmer and curator living in Rochester NY.  She is currently the Curator of Moving Image Collections at Visual Studies Workshop.

Description of screening:

Since leaving Boston in 2014, I haven't made many films, though I have continued to shoot 16mm and Super 8. These days I shoot just for myself, and often don't watch what I have shot for several months, if at all.  Many films are still waiting to be processed. I'm not sure why I stopped. I don't know what happened.

Recently I looked back on the last few films I composed on Super 8, between 2012 and 2014, as a way to better understand where I was emotionally before I stopped making films to share with an audience. What I found was a body of work made in tribute to Anne Charlotte Robertson, who died in 2012. I didn't know Anne well but her work was a powerful influence on me, and when she died I felt a responsibility to respond to her films through my own. The films I made are failures for the most part, but not many people would know that because outside of Boston fewer and fewer people have seen her work. It's hard to explain my failures to an audience that doesn't understand what I'm measuring myself against. So this screening is a great opportunity for me to share my shortcomings with a community that understands where I'm coming from, and to take communal comfort in the fact that Anne's work lives on through our own, for better or for worse.All films shown on Super 8Titles include:
Flying Fish (2012)
Super 8
A portrait of my pregnant sister

A Field At Dawn (2013) 
Super 8
Documents the beauty of a difficult year.
Shot in Ithaca, NY, 2012-2013

Last Day of Capricorn (2013)
A self portrait on my 38th birthday, which I spent alone in a strangers' apartment.  Memories mixed with important messages and were sent through the pictures on the walls.  Dedicated to Anne Charlotte Robertson.

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